PARALLAX METROLOGY VTL STUDIO
STUDIO RECORD / PUBLIC EDITION

Visual stages, comparisons and decisions from the original run. Internal prompts, operating documents and downloadable implementation files are omitted. Some interactive comparisons are shown as separate images.

Where the Weight Goes / Sitting 04 / New working version

Keep the weight.
Quiet the field.

The dimensional hand survives. The floor and seated mass compete less for attention. This branch earns retention over sitting 02, with an observation pause rather than a claim of completion.

Retained native drawing with dimensional planted hand and quieter floor
Actual native sitting 04 · 1536 × 1024 · 1,323 new commands, including 750 lifts. Promoted as the working canvas.

What this version keeps

Sitting 02, previous primary
Sitting 02: credible contact with many competing marks across floor and clothing.
Rejected sitting 03 reduction
Sitting 03: substantial omission, but the hand becomes flat and outlined. This branch remains rejected as primary.

Sitting 04 branches directly from 02. It keeps load-bearing palm and wrist planes, adds a clearer middle-value side to the forearm, and removes much of the surrounding activity. The comparison supports a limited but visible gain; it does not establish that the work has found its final expressive direction.

O — observe the retained gain

Four unequal fingers and a thumb remain accounted for. The hand has volume and its contact with the floor remains more convincing than the reduction branch. The seated mass now reads with fewer interruptions, while the open floor provides a quieter interval.

The hierarchy is only partly resolved. The hand is still more described than the rest; native shading is soft and smooth, and angular remnants remain in the clothing. We have improved coherence without proving that the isolated foreground hand is the strongest possible expressive choice.

Decision: promote sitting 04 as the working version. O means a pause to look at the whole image, not finished work. The next intervention should name a consequential spatial or expressive change. More finger detail or a lower target error would not, by themselves, justify it.

Process & methods

The built-in image generator received the actual sitting 02 native drawing and a brief to preserve pressure-bearing planes while simplifying clothing and floor. Before execution, the assistant checked four fingers plus thumb, palm volume, and contact. The hanging hand remains suggestive rather than fully resolved; the proposal also retained some nail detail despite the prompt.

Separate external visual proposal
External generated visual proposal. This is the target, not the native canvas.

The local Hands-based runner restored sitting 02’s scalar canvas by hash. One whole-canvas hybrid sitting used a broad 300-pixel planning view followed by a finer 600-pixel view. There was no separate hand-polishing pass. All changes came from recorded native deposition or lifting commands; generated pixels were not pasted.

Candidate acceptance uses actual rendered pixel and gradient error against the proposal. It does not measure artistic merit. Both stages replayed exactly from the source on this runtime. The assistant then compared the result with the retained and rejected predecessors; no independent critic agent was involved and no renderer code changed.

StageAcceptedLiftsExecution stop
05-selective-broad401259attempt-budget
05-selective-current922491attempt-budget

The attempt budgets ended execution. The observation route is a separate artistic judgment, not an automatic conclusion from those stops.

Evidence